Saying what I mean, meaning what I say.
Because it really is just because I want to do it. She’s been [around] the world and back to figure out how to make the world’s best sourdough bread loaf. Is it taking something for a ride in a direction that makes it feel untouchable, in a way? There’s a feeling, maybe from a younger generation, saying ‘we don’t care, and we’re just going to do whatever we want.’ Right now I’m 31 years old, and I’m excited about being sincere and earnest. In my heart of hearts I’m really a maker rather than a musician. Or feels almost manipulative? That’s why I like song-writing: it makes me feel connected. Devotion hasn’t always been very trendy. Coming home after nearly three years on the road in support of her 2016 debut album For Glaspy, Devotion is more about evolution than total transformation. Whether that is music or food, or something else, making brings me a lot of pleasure and a lot of purpose.Another person is Bjork. But I think sometimes in aspiration there can also be a sense of self-hate.
No one’s telling me to go to school right now. I want to share feelings of love and devotion, and not be afraid of it. To me that’s exciting—I really love that mentality, and I love being around those kinds of people. The costume design. We’re never absolutely happy. After a while, it was so much output that I realized I didn’t really have much input. I ask: Are you making a narrative or making a song that means something on an actual human level? The result is a new sonic terrain that highlights her vulnerable lyrics and unique emotive vocals. When I show up it’s so liberating to be involved in something that isn’t onstage. Glaspy, 31, has continued her personal devotion to “making” in quarantine—spending her days playing benefit shows, taking remote classes at Harvard, knitting, writing short stories, baking and finding purpose in process. I really admire her—the way she’s able to put her sense of art in the forefront is really inspiring.I just played a benefit show that was contributing toward supporting musicians in New York. / Or should I fight it and start a riot?There’s something about watching people that are kind of obsessive about what they do. When I was a little younger, maybe on my first record, there was a sense of proving myself. That is what I’m put on this planet to do—use my hands and my brain in tandem in order to create stuff. Checkout the lyrics of the Devotion and join the community of SpotLyrics to contribute to the update of the largest database of music information on the net. Pre-order now! Everybody is out of work. / Should I stay oblivious? I like to make anything, always. For instance, I want to be Nancy Silverton when I grow up. It’s a nice feeling to have something to give at this time.

It helps me understand people around me, and their emotions. This feels like uncharted territory for me. Especially if it makes you feel like, ‘Well my life’s not like that, so I don’t like myself.’Being a woman making records, there is an air that is kind of condescending,Another person I really love that transcends that discrimination as well is Missy Elliott.

That’s what I spend most of my time trying to do. There’s kind of an end product. It all feels similar to me and it just depends on what I’m into at that time.

I’m a huge, huge Missy Elliott fan. I really love Nancy Silverton; I like baking a lot. And then I go make bread, and I kind of feel like I’m making a song. Devotion, the second album from Margaret Glaspy, is a collection of twelve love songs, reflecting the phases of romance -appreciation and frustration, doubt and adoration. I go knit a sweater (I’m really into knitting too) and then I’ll feel like that’s kind of a song in its own right. When Margaret Glaspy imagined the release of “Devotion,” her sophomore record, it didn’t include a world-wide quarantine.But such was the case when the album was released by ATO records this March. I’m excited to have the experience of understanding how things work and putting them together. Her music is so unique and really wonderful, and the way she’s managed to create her own world and style and really speak for herself pointedly in her lyrics, it feels like she’s in control of her own narrative in a way that I aspire to. On some level everything’s kind of dualistic. At the same time, honestly, sometimes you need a song that is something to aspire to. I really like that. Through that—I could have given it up, but I stuck to it and was really devoted to making this record a very particular way, because it felt like my brain was getting satiated and getting tickled in a way it wasn’t used to. This record is a different message. On “Consequences,” written shortly after the 2016 election, she sings: What happens after this? “Devotion” is a mark of her commitment to process through electronic pop, a sonic shift away from her highly praised folk debut. I look at music and songs like making a project, making a puzzle. [There is always a combination], whenever we’re happy there’s still sadness in our lives. It’s really special.But they aren’t just phases. On Margaret Glaspy’s long-awaited second album, Devotion, this highly acclaimed young artist reaffirms her status as one of the most sharp-eyed singer-songwriters of her generation while managing to audaciously reinvent her sound.She fearlessly defies expectations -- and the results are exhilarating. I know that spans across so many industries. Or is it kind of exploitation of a feeling? I like turning over rocks and seeing what’s underneath them.


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