an important and compelling work.” “[I]t’s a best seller for a reason ˜ it’s wonderful reading that explodes and explores some myths about the Pilgrims and the Indians, and will fill in gaps in your understanding of how this country was founded.”“Mayflower is solid history for our time, neither Manifest Destiny nor political correctness, not heroes versus villains, not definitive abstract answers on what the past means. The historical traveler is helped by superb and numerous maps by Jeffrey L. Ward. He gives what a 21st-century reader needs to find in the material: perspectives of both the English Americans and the Native Americans. . .
The Last Stand Nathaniel Philbrick Review by Edward Morris.

Just as importantly, he shows that history, like politics, is never as simple as good guys vs. bad guys.

It also offers an opportunity to understand more fully our history. Mayflower is one of the best histories of unintended consequences you’re ever likely to read.” “This important account of the first permanent settlement in New England unfolds a rousing tale of adventure even as it prompts us to rethink America’s early history. Philbrick has a gift for drawing telling details from the primary accounts on which much of his book is based. Philbrick reanimates the allure, the seasickness, the gore and the contradictions within a complicated chronicle of a national origin that some 19th-century writers tended to sentimentalize for a variety of reasons, including Westward expansion, the Civil War, and the rediscovery and full publication of William Bradford’s Of Plymouth Plantation.” “[A]t its heart, Mayflower is an eloquent testament to the human frailties responsible for so much bloodshed over the centuries–a lesson that still resonates in 2006. The adventures and misadventures of these pilgrims, in their first fatal steps on the unknown land, are recorded in exemplary detail; this is living history at its best, animated and defined by human actions and reactions. But if Mayflower achieves the wide readership it deserves, perhaps a few Americans will be moved to reconsider all that.” “[V]ivid and remarkably fresh. [He] seamlessly weaves into his tale much of the new understanding of native people, the environment, the impact of disease, and other topics gleaned from the previous generation of historical scholarship.

.

The end notes by Philbrick, which an academic might have shoehorned into the narrative to provide his bona fides, are here sequestered in a 50-page narrative on sources —  a rich dessert after the healthy meal of the book.”“[This] is a history that reads like tragedy, that is populated by fallible humans on all sides and that resounds with what-if moments.

This could be Afghanistan or Iraq, as bloodily relevant as the latest roadside bomb.

. . Collections … should certainly acquire this….”“Philbrick tells his tale in traditional fashion—briskly, colorfully, and with immediacy….no one has told this tale better.”“Philbrick shows us historic figures, not only as if they had stepped away from their famous portraits, but as if we had read about them in last week’s newspaper…Philbrick has developed a style that connects the power of narrative to decisive moments in American history.”“Arguably Philbrick’s best book with a page-turning narrative that is strengthened by insightful research. Philbrick excels in piquant details and characterizing touches, and his ‘Captain Shrimp’ [Miles Standish] practically lifts himself from the page. [T]his is a story that needs to be continually refreshed, and Philbrick has recast the Pilgrims for our age of searching and turmoil. But what adds depth to the narrative is his fine sense of the ambitions that drive people in war and politics.”“Rather than paint events in patriotic black-and-white, Philbrick explores the complexities of pre-revolutionary New England in vivid and sometimes shocking colour.”“Thought you know the ending, you whip through the pages…”“Quite masterfully, Philbrick does not sink to simply good and evil distinctions in the run-up to Bunker Hill. Nor are the native tribes monolithic in either their respect or hatred for the English. The story of Jamestown amounts to a continuing, complicated tale that will require our journalistic energies. Nathaniel Philbrick is an American author of history, winner of the National Book Award, and finalist for the Pulitzer Prize. Philbrick enlightens and even astounds .



In a seven-page account of a Standish-led raid, the clamor of evil practically rings off the page, an episode out of America’s own ‘Holinshed’s Chronicles.

Because those costly failures are an essential part of the story–a part we dare not ignore. Instead, across four centuries, Nathaniel Philbrick offers us the New England of the Mayflower pilgrims, the benign myths that helped shape modern America and what really happened .

The author reminds us that the freedoms colonists wanted were never intended to apply to blacks, American Indians or women.


Rather, it is Philbrick’s subtle and detailed portrayal of not just the Pilgrims but also of the various tribes and sachems (leaders) that makes Mayflower so compelling.” “[This] is history as it should be written, with clean prose, eminent fairness, the narrative power of a good novel and a point to make.


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